New Books In Critical Theory

What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department of Culture, Media and Creative Industries at King’s College London, offers a detailed analysis of the way the classical music profession is marked by race, class, and gender inequalities. Drawing on contemporary debates in feminism, the work of Michel Foucault, and a critique of the entrepreneurial self, the book offers a comparative study of London and Berlin. In doing so it positions classical music as a crucial site for understanding not only cultural and creative industries, but the entirety of our unequal, post-feminist economy and society. It will be required reading and citation for all creative industries scholars, as well as an important text for cultural and media studies, sociology, music, and anyone interested in the relationship between culture and

How is class inequality intertwined with the body? In Distinctions in the Flesh: Social Class and the Embodiment of Inequality (Routledge, 2017),  Dieter Vandebroeck, an assistant professor in sociology at the Free University of Brussels, explores this question by a deep engagement with contemporary theory and detailed empirical evidence. The book takes on sociology’s turn to the body in the context of Pierre Bourdieu’s work, in particular the sense of bodies in (unequal) social relations with each other and the distinctions flowing from those relations. Using a huge range of examples, including food and eating practices, sport, and body image, the book moves to position the body as a most crucial site for understanding contemporary inequality. Although the book speaks primarily to sociological debates, the engagement with theory and the empirical analysis is an essential read for anyone interested in how bodies are social, as well as individual. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Rifkin’s Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination (Duke University Press, 2017) engages fields including physics, phenomenology, native storytelling, and queer temporality. He describes the organization of Beyond Settler Time as “a series of meditations on particular kinds of temporal tensions—ways that Indigenous forms of time push against the imperatives of settler sovereignty” (ix). Exploring a range of sources including film, government documents, fiction, histories, and autobiography, Rifkin considers how time is defined by non-native ideologies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Sarah Schulman’s Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair (Arsenal Pulp Press, 2016) examines how accusations of harm are appropriated and deployed by powerful people, groups, and political entities in order to justify extreme punitive measures against marginalized “others.” The book exposes how the powerful capitalize on the language of abuse and misrepresent normative conflict, expressions of difference, and resistance to abuse, in order to avoid accountability and self-reflexivity. Linking a wide range of contexts, from intimate relationships to rapports between nation-states, Schulman highlights how negative in-group dynamics—organized around practices of group shunning, refusal of self-examination, and false loyalty that rejects accountability to others—become the “centerpiece of most social injustice”. Conflict is Not Abuse calls for us to interrupt and seek alternatives to escalation and violence by embracing mutual accountability and a sense of communit

What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing p

The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to th

“What is needed now is not liberal reform or withdrawal, but a radical attack, a strategy of opposition. Scientific workers must develop ways to put their skills at the service of the people and against the oppressors.” (Zimmerman, et al. 1972). Following the 2014 conference, “Science for the People: The 1970s and Today,” Sigrid Schmalzer, Daniel Chard, and Alyssa Botelho, edited a volume of the Science for the People (SftP) movement, curating numerous documents from the group that are as relevant today as when they were published several decades ago. Science for the People: Documents from America’s Movement of Radical Scientists (University of Massachusetts Press, 2018) encapsulates the diverse themes, research, and actions of the movement, which included chapters across the US at one time. Emerging from the radical political culture of the 1960s, and predecessor group, Scientists for Social and Political Action, SftP challenged the value-neutrality of science and technology, and instead sought to democrati

How do the media make race? This question is at the heart of Race and the Cultural Industries (Polity, 2018), the new book by Anamik Saha, Lecturer in Media, Communications and Promotion at Goldsmiths, University of London. The book sits between critical race theory and the political economy of culture, proving to be an astute and valuable contribution to a field that, as yet, has yet to find a definitive take on the question of race and the cultural industries. The book is filled with examples from media, including news rooms, publishing, music, theatre and film, as well as rich and detailed theoretical engagements with scholarship accounting for the often hidden structures that give us a culture dominated by the norms of whiteness. It is not only essential reading for media studies scholars, but also is important for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.f

Sewing, knitting, quilting, the crafts related to fabric making, are usually not what we think about when we consider our digital communications devices. Yet, many of the activities that we find ourselves doing with our devices touching the screen, scrolling, swiping, etc. and some of the language that we use to describe our actions, draw from textile culture. In his book The Fabric of Interface: Mobile Media, Design, and Gender (MIT Press, 2017), Stephen Montiero, at Concordia University, explores the connection between the fabric arts and computing. In it he investigates the relationship between gender and the construction of media technologies. A particular focus of his is an examination of how, as in former years sewing was dismissed as women’s work, social aspects of digital technologies are gendered and dismissed as inconsequential. Montiero also details the eraser of the contributions of many women to the evolution of the technology that is now ubiquitous. Learn more about your ad choices. Visit megaph

In April 1923 Sigmund Freud detected a lesion in his mouth that turned out to be cancerous. From diagnosis to his death, he endured 33 surgeries and 10 prostheses. In 1932 alone, Freud consulted with his surgeon Hans Pichler 92 times. Freud’s smoking motivated much of the fussiness with his prosthetic jaw: it had to be right at the palate edge, with optimal occlusion so as to get the most out of his cigars. For Freud, smoking facilitated writing and intellectual creativity; it provided exquisite enjoyment. An inanimate object thus served as a conduit of both vitality and grave illness—a testament to the entanglement, indeed, the indistinguishability of the life and death drives. In 1977, after a biopsy of a tumor in her right breast, Audre Lorde fantasized about lopping off the agent of her destruction like “a she-wolf chewing off a paw caught in a trap.” (56) In the manner of a Kleinian infant, she directed her rage at the persecutory breast that betrayed her (once again) and ceased being her own. Lorde tur

In Native Space: Geographic Strategies to Unsettle Settler Colonialism (Oregon State University Press, 2017), Natchee Blu Barnd examines how Indigenous populations create space and geographies through naming, signage, cultural practices, and artistic expression within the confines of settler colonialism in the United States. Native Space explores these acts as everyday cultural practices, and also examines how settler societies deploy the concept of Indian-ness to create colonial geographies. Barnd takes an interdisciplinary approach toward these subjects, and examines these concepts through the use of demographic and cartographic data, stories, and imagery, each of which underscores the different methods Native peoples use to unsettle settler society and reclaim Indigenous spaces. Samantha M. Williams is a PhD candidate in History at the University of California, Santa Cruz. She is currently writing her dissertation, which examines the history of the Stewart Indian School in Carson City, Nevada through th

Today I was joined by Martijn Konings from Australia where he is Associate Professor of Political Economy at the University of Sydney. We had a conversation on his most recent book Capital and Time: For a New Critique of Neoliberal Reason (Stanford University Press, 2018). Its main contribution is to offer an original point of view on the issue of speculation. Critics of capitalist finance tend to focus on its speculative character. Our financial markets, they lament, encourage irresponsible bets on the future that reflect no real underlying value. Why is it, then, that opportunities for speculative investment continue to proliferate in the wake of major economic crises? To make sense of this, Capital and Time offers an understanding of economy as a process whereby patterns of order emerge out of the interaction of speculative investments. Speculation, he argues, is an essential intrinsic feature of capitalism and not just a negative spillover or a collateral behavior. The book also provides an original vie

Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Tran

Did Abraham Maslow actually ever draw a pyramid of hierarchy of needs? Did Kurt Lewin devote substantial work on the development of a change management theory? Why do we omit or misrepresent important features of the work of Adam Smith, Max Weber or Frederick Winslow Taylor? What is the forgotten origin of Harvard Business School case method? I was joined by two of the authors—Stephen Cummings and Todd Bridgman— ofA New History of Management (Cambridge University Press, 2016), a great new book that answers those and many more questions. The book is a very important contribution to critical management studies that uncovers the inaccuracies and simplifications (if not actual inventions) that populate management and organization textbooks. A New History of Management is not a conspiracy theory, but rather it is the result of rigorous historical research on how the field of management studies was constructed in the past century. The authors argue that the existing narratives about how we should organize are buil

When the army brutally dispersed Red Shirts protestors in Bangkok’s busy commercial district in May 2010, motorcycle taxi drivers emerged as a key force, capable of playing cat-and-mouse with security forces, evading military checkpoints, and rescuing protestors and their leaders once the army attacked them. Motorcycle taxis are ubiquitous across the developing world. Dexterously weaving in and out of dense urban conurbations, they transport people, commodities and news through peak traffic with an unparalleled knowledge of the city. They are owners of the map. In his vividly etched monograph, Owners of the Map: Motorcycle Taxi Drivers, Mobility and Politics in Bangkok (University of California Press, 2017), Claudio Sopranzetti moves across the city and between city and country to examine how migrant laborers driven off the factory floor following structural adjustment reforms in the late-1990s turned to motorcycle taxi driving as a form of flexible and yet unfree means of livelihood. Owners of the Map not o

In his book Reality TV (Routledge, 2017), author Jon Kraszewski explores reality television’s relationship to the American cityscape. Starting with show such as Candid Camera and An American Family, Kraszewski positions reality television in cities where individuals were able to thrive regardless of social class. In this space, early reality television created a laboratory for individuals. Moving to the early 1990s and beyond, Kraszewski challenges the ways in which reality television persisted in this relationship with the city although most viewers do not have the means to live in cities. Using case studies of how the Bravo network exploits the urban servant, the examination of “Boston” Rob Marino and Tiffany “New York” Pollard as reality show representative of major global American cities, and how shows such as Here Comes Honey Boo Boo, Alaska: The Last Frontier, and Swamp People, Krasweski present the complex and often problematic relationships between American urban space and the way in which reality tel

What is the history of a “history book”? In How to Read a History Book: The Hidden History Of History (Zero Books, 2018), Marshall Poe, founder and Editor-In-Chief of the New Books Network, tells the story of why and how we have the “history books” we have. The book uses the literary device of “Elizabeth Ranke,” an ideal type of the modern academic historian, to show how academic disciplines, the structure of college and careers, the tensions between popular and academic publishing, and the morality and ethics of history, shape the “history book.” Whilst each chapter critically relates a stage in Elizabeth’s life and career to the form “history books” take, the overall message of the book is a positive defense of history in the current social and political juncture. A short and accessible text, the book will be essential reading for anyone interested in the artifact called “a history book.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ne

My father has this personality quirk that drives me crazy. Whenever and wherever he travels, no matter how far, he refuses to reset his watch to the local time. For him, it’s always whatever time it is in Cincinnati, Ohio, even if all the clocks around him flash the fact that it isn’t, even if he’s taking my mother, for example, on their once-in-a-lifetime dream vacation to Hawaii and the sun is setting in perfect postcard colors. “No wonder I’m sleepy,” he’ll say, glancing at his watch. “It’s two in the morning.” I don’t know quite why it drives me so crazy. Maybe it’s his small refusal to accept where he is at that moment or maybe its his small insistence that, at any moment, he’s always home. I just know that, with a wristwatch and a strong will, my father has decided to ignore the laws of time. It turns out that he’s not so different from most of us who fly frequently from one time zone to another. In his new book, Jet Lag (Bloomsbury Academic, 2017), Chris Lee illuminates what happens to us when, thousa

How can reading change the world? In Reading as Collective Action: Texts as Tactics (University of Iowa Press, 2017), Nicholas Hengen Fox, who teaches literature, writing and social justice courses at Portland Community College, explores how literature can make a public impact. A timely book that speaks directly to our current political moment, Reading as Collective Action calls for a move beyond the text in itself to understand how texts are used to imagine and create another world. The potential of a world transformed is seen in the analysis of poetry’s importance after September 11th; The Grapes of Wrath, practical organizing, and the politics of redistribution in response to the great recession; along with how efforts to make texts public might transform academic institutions. The book closes by contextualizing the analysis with Habermas’ theories, offering a note of optimism. At present the book is an essential read for anyone thinking through how best to make a social, political, and aesthetic differenc

In this interview, Carlo D’Ippoliti and Andrea Bernardi interview Franklin Obeng-Odoom who teaches urban economics and political economy in the School of Built Environment at the University of Technology, Sydney. In 2016, Dr Obeng-Odoom won the Patrick Welch Prize awarded by the Association for Social Economics. He also won the EAEPE-Kapp Prize 2017 for “Marketising the commons in Africa: the case of Ghana” Review of Social Economy 74 (4), 390-419. He has recently published Reconstructing Urban Economics: Towards a Political Economy of the Built Environment (Zed Books, 2016) The shift of world populations into cities and the increasing concentration of activities in urban areas have generated new debates about cities as well as rejuvenating old debates, turning them into global concerns. The economics of cities and regions has, therefore, attained a particularly important status in the twenty-first century. Yet many writers on urban economic issues have never formally studied the subject. Many are mainstream