New Books In Russian And Eurasian Studies

Towards the end of the Cold War, the last great struggle between the United States and the Soviet Union marked the end of détente, and escalated into the most dangerous phase of the conflict since the Cuban Missile Crisis. Aaron Donaghy examines the complex history of America's largest peacetime military buildup, which was in turn challenged by the largest peacetime peace movement. Focusing on the critical period between 1977 and 1985, Donaghy shows how domestic politics shaped dramatic foreign policy reversals by Presidents Jimmy Carter and Ronald Reagan. These reversals, the book argues, were influenced by president's willingness to take risks, by their perception of credibility, and by the timing of their decision.  Donaghy explains why the Cold War intensified so quickly and how - contrary to all expectations - US-Soviet relations were repaired. Drawing on recently declassified archival material, The Second Cold War: Carter, Reagan, and the Politics of Foreign Policy (Cambridge UP, 2021) traces how each

The invasion of Ukraine in 2022 began a new episode in history and was surrounded by a miscellany of historical claims. The Short History of Russia: Returning to Another Country (Amberley, 2026) is a succinct, up-to-date guide to the histories on offer about and from Russia, one that seeks to make sense of present issues and future prospects, as well as of the past. There is a heavy emphasis on war and international relations, but that is appropriate not only for the past but also for a present in which both are to the fore. Peter the Great (r. 1689-1725), an eager moderniser, was viewed as an un-Russian evil phenomenon in light of his denial of the divine identity of traditional Russian monarchy, his blasphemy, his theft of time from God when he changed the calendar, and his sacrilegious violation of the image of God in man when he forced men to cut off their beards. Vladimir Putin cuts off no beards, he is no moderniser; the fall of the Berlin Wall left him with an abiding mistrust of democracy and ‘People

Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-s

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of diss

During the First World War, Russia relied on the mass mobilization of its peasant population. In the summer of 1914, approximately four million peasants answered the state’s call to arms, while the millions who remained at home donated labour and other resources to the cause. Within three short years these same peasants were refusing to pay taxes or turn over their grain, dooming the autocracy to collapse.The Peasants’ War: Russia's Home Front in the First World War and the End of the Autocracy (McGill-Queen's UP, 2025) argues that the experience of total war convinced peasants that the measure of a state’s legitimacy was its ability to safeguard the wellbeing of its subjects. When the autocracy failed to meet this standard, peasants rejected its authority by challenging four areas of wartime policy: the prohibition of vodka, the conscription of peasant families’ only workers, the redistribution of land belonging to enemy subjects, and the provisioning of the home front. The war awakened peasants to the rec

When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy? Redacted: Writing in the Negative Space of the State (punctum books, 2024) brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates

A cutting-edge investigation of how Russia makes war. Russian strategy in the twenty-first century has been described in terms of 'hybrid' warfare, an approach characterised by measures short of war, such as cyberattacks and disinformation campaigns. But as the invasion of Ukraine has brutally demonstrated, conventional armed violence remains a key element of Russian power. In Blitzkrieg and the Russian Art of War (Manchester UP, 2025), Andrew Monaghan offers a high-level view of Russian thinking about warfare. Drawing on extensive Russian sources, he addresses important questions that have been overlooked by most Western commentators: what is the military leadership's distinctive idea of twenty-first-century blitzkrieg? How does it understand holistic territorial defence? How does it manage the shifting balance between offence and defence? Introducing key concepts from Russian military thinking, Blitzkrieg and the Russian art of war is a crucial resource for understanding Russia's resurgent role on the gl

Host Licia Cianetti talks to two Russian experts, Vladislav Gorin and Alexandra Prokopenko, about the state of Russian domestic politics today. As Russia’s war of invasion in Ukraine rages on and Russians live under an ever more repressive authoritarian regime, we discuss how we got here: what made the invasion of Ukraine possible, what is keeping Putin in power, how both the regime’s relationship with both the elites and the people has evolved over Putin’s 26 years in power, and what a future Russia without Putin might look like. A transcript of the conversation is available here. Guests: Vladislav Gorin is a journalist at the Russian independent media company Meduza, which is based in Riga (Latvia) and has been designated as an “undesirable organisation” by the Russian government. Vladislav hosts a great podcast (in Russian) called Что случилось (What happened). You can find the English language reporting from Meduza here. As it is illegal and unsafe for people in Russia to contribute to Meduza and even

In A Nasty Little War: The Western Fight to Reverse the Russian Revolution (Basic Books, 2024), award-winning reporter Anna Reid tells the extraordinary story of how the West tried to reverse the Russian Revolution. In the closing months of the First World War, Britain, America, France and Japan sent arms and 180,000 soldiers to Russia, with the aim of tipping the balance in her post-revolutionary Civil War. From Central Asia to the Arctic and from Poland to the Pacific, they joined anti-Bolshevik forces in trying to overthrow the new men in the Kremlin, in an astonishingly ambitious military adventure known as the Intervention. Fresh, in the case of the British, from the trenches, they found themselves in a mobile, multi-sided conflict as different as possible from the grim stasis of the Western Front. Criss-crossing the shattered Russian empire in trains, sleds and paddlesteamers, they bivouacked in snowbound cabins and Kirghiz yurts, torpedoed Red battleships from speedboats, improvised new currencies and

Most people on the contemporary left see Stalin as an unfortunate stain on the history of the global left, a part of the historical process that we’d be better avoiding in our attempts to build towards socialism. He does still have some scattered defenders though, putting out books and articles trying to turn his legacy into something commendable that we ought to try and build upon today. Returning today is Douglas Greene, who is not one of his defenders, but instead has written a book exploring the defenses of Stalin with his new book In Stalin’s Shadow: Leon Trotsky and the Legacy of the Moscow Trials (Resistance Books, 2025). Much of the text is concerned with fact-checking, going through the middle decades of the twentieth century to give a critical accounting of Stalin, but one that nonetheless holds onto the revolutionary Marxist tradition. Beyond this fact-checking mission though, the book also takes this time as an opportunity to reflect on some of the deeper structures of thought that might lead one

An eye-opening account of how Russia's leaders have used sports as a political tool to solidify their global power "Victories in sport do more to cement the nation than a hundred political slogans." This was the pep talk Russian athletes heard in 2000 from their new president, Vladimir Putin. And so, for more than two decades, Putin has used sports like his Soviet predecessors to stoke nationalism at home, boost prestige abroad, and cement his position as leader. The Moscow Playbook: How Russia Used, Abused, and Transformed Sports in the Hunt for Gold is the first book to fully examine the intersection of Russian sports and geopolitical power, from the dominant Soviet teams of past Olympics to recent doping scandals and international sanctions. With new research from Olympic archives, records of the Soviet bloc and current Russian media, historian Bruce Berglund shows how Moscow's leaders have defied the rules of the game for decades as the world's governing bodies turned a blind eye. Featuring oligarchs,

The city of St. Petersburg held great significance to the Russian Empire when Peter the Great first built the city in 1703. It was intended to be Russia's "window to the West" and usher in Russia's place as a modern European power. It also replaced Moscow as the capital of the growing empire that stretched across two continents. It was also the site of the Russian Revolution, when the Bolsheviks led by Vladimir Lenin seized power in 1917. Subsequently the city was renamed Leningrad in honor of the founder of the Soviet Union.  During World War II (1939-1945), the city would play a critical role as an unconquerable fortress city that withstood years of siege with the explicit intention of starving its inhabitants into complete submission to Nazi Germany's war aims. The epic story of this saga is the subject of Prit Buttar's To Besiege a City: Leningrad 1941-42 (Osprey Publishing, 2023). Relying upon extensive research into both Soviet and German sources, Prit Buttar chronicles the first few years of the siege

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond’s creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that f

In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period. You can purchase a copy here. You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address. The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher

Renovation, an urban renewal plan in Moscow that was announced in the spring of 2017, proposed to demolish thousands of socialist-era apartment buildings. In a country where it is rare under an authoritarian government, residents supported or opposed the redevelopment by mobilizing and organizing into local alliances. They were often shocked by their neighbors who were excited about the new housing or those suspicious of being displaced. Private Life, Public Action: How Housing Politics Mobilized Citizens in Moscow (Temple UP, 2025) by Dr. Anna Zhelnina traces how residents impacted by the relocation plan became activists despite having little to no experience organizing or even forming political affiliations and opinions. Dr. Zhelnina details the ways in which neighbors engaged in collective action, as well as the individual and structural changes these interactions caused. Dr. Zhelnina develops the concept of “housing strategies” to explain how residents’ debates with their neighbors about housing were sh

The Babushka Phenomenon: Older Women and the Political Sociology of Ageing in Russia (UCL Press, 2025) by Dr. Anna Shadrina examines the social production of ageing in post-Soviet Russia, highlighting the role of grandmothers as primary caregivers due to men’s traditional estrangement from family life. This expectation places grandmothers, or babushkas, in a position where they prioritise childcare and housework over their careers, making them unpaid family carers reliant on the state and their children. Dr. Shadrina situates older Russian women’s experiences within the post-Soviet redefinition of the nation, analysing their portrayal in popular media and biographical narratives of women aged 60 and over in Russia and the UK. It addresses class and racial disparities, noting how some women outsource family duties to less qualified women, and emphasises age as a significant but overlooked axis of social inequality. From a feminist perspective, the book explores citizenship as both a status and a practice of i

In the West, World War II is commonly understood as the Allies’ struggle against Nazism. Often elided, if not simply forgotten, is the Soviet Union’s crucial role in that fight. With this book, acclaimed historian Jochen Hellbeck rectifies this omission by relocating the ideological core of the conflict. It was not the Western powers but Communist Russia that Nazi Germany viewed as an existential threat—in fact, “World Enemy No. 1.” Jewish revolutionaries, the Nazis believed, had seized power in 1917 and were preparing the Soviet state to destroy Germany and the world. And so, on June 22, 1941, a German army of three million attacked the Soviet Union to exterminate “Judeo-Bolshevism,” Hitler’s cardinal obsession. While Europe’s Jews were expelled, exiled, and persecuted by the Nazis, Soviet Jews were immediately slated for elimination. The Soviet lands thus became ground zero for systematic extermination, which was only later extended to all Jews, igniting the Holocaust.Hellbeck plumbs newly declassified arch

Over the span of a single decade, VHS technology changed the relationship between privacy and entertainment, pried open the closed societies behind the Iron Curtain, and then sank back into oblivion. Its meteoric rise and fall encapsulated the dynamics of the '80s and foreshadowed the seismic cultural shifts to come after the Cold War.In the West, its advent deepened the trends of the age: individualism, consumerism, the fragmentation of society, and the consolidation of corporate power in the entertainment industry and its victory over the regulatory powers of the state. In the East, it encouraged new forms of socialization and economic exchanges, while announcing the gradual crumbling of government control over the imagination of the people.By the mid-1990s, the VHS format was displaced by the DVD. The DVD would eventually give way to streaming. As explored in Videotape (Bloomsbury, 2025), by Dr. Oana Godeanu-Kenworthy in the Object Lessons series, the cultural legacy of the videotape continues to inform ou

An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein’s broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein’s experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

1991 ushered in a new epoch of hope as Russia marched toward democracy and prosperity on the ruins of the Soviet Union. In 2025 those hopes for a thriving, democratic Russia have not panned out. Irina Borogan and Andrei Soldatov lived it as journalists in Russia from the start of Putin’s reign. Specialists in documenting Russia’s secret services, they’ve reported many, many important stories over the past decades. Our Dear Friends in Moscow: The Inside Story of a Broken Generation (PublicAffairs, 2025) tells an intimate story of a group of friends in journalism whose view diverged against the backdrop of Putin’s revanchist, authoritarian rule. Soldatov and Borogan narrate the personal, perplexing, and painful story of the friends and colleagues who assimilated Kremlin-aligned views as the authors themselves moved from opposition journalists to exiles under threat from the Putin’s regime. This conversation scratches the surface of the book’s riveting and important attempt to make sense of polarization and al