Seeing And Believing With Wade Bearden & Kevin Mclenithan

Kevin and Sarah take on the multiverse in their review of Daniels' latest film, Everything Everywhere All At Once. Then they turn their attention to Barbra Streisand's grift in Peter Bogdanovich's 1972 comedy What's Up, Doc?/i> The leopard from Bringing Up Baby makes a surprise guest appearance. The You Must Remember This season about Polly Platt can be found here Musical interlude by Wayne John Bradley, "Blessed." Used under Creative Commons license 3.0. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Kevin and Sarah grapple with their complicated feelings about Mariama Diallo's feature debut, Master. For the Watchlist segment, they compare notes on Barbara Stanwyck and Henry Fonda in the 1941 screwball comedy The Lady Eve. Sarah shares a fun fact about flowers. Music interlude by Wayne John Bradley, “Just Breathe.” Used under Creative Commons license 3.0. Check out the Seeing & Believing Patreon  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin and Sarah find themselves in an animated disagreement over Pixar's latest movie, Turning Red. In the Watchlist segment, they reconvene over the Studio Ghibli film Kiki's Delivery Service. Woodland wildlife is discussed. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: quiet, contemplation, and a pair of very good movies. Kevin and Sarah find themselves enamored of Kogonada's new film, After Yang. Then, they shift their attention to Hirakazu Kore-eda's 1998 film, After Life. Kevin waxes poetic about Ozu. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Kevin and Sarah discuss Matt Reeves' take on The Batman. Is it a good Batman, or is it the most Batman? In the Watchlist segment, they split over Cathy Yan's feature debut Dead Pigs. Sarah makes an argument for unexpected musical numbers at the end of movies. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mid-February means romance movies, new and old. First up, Kevin and Sarah take on the new adaptation of Cyrano, directed by Joe Wright. Along the way they discuss whether or not the movie works as a musical, and they split over the merits of war scenes in romance movies. For the Watchlist, they turn their eyes toward Todd Haynes's 2015 film Carol. Kevin explains why the movie's worth a revisit, while Sarah is dumbstruck by Cate Blanchett. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Need an investigator? Kevin and Sarah are on the case! First, they unpack the mystery at the heart of Kenneth Branagh's latest movie, Death on the Nile. Then they go to the Watchlist for a discussion of James L. Brooks' 1987 movie, Broadcast News. It's detectives, reporters, and your intrepid podcast hosts all coming together on this week's episode of Seeing & Believing. Check out the Seeing & Believing Patreon  Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's family relationships week at Seeing & Believing. First, Kevin and Sarah discuss Maggie Gyllenhaal's directorial debut The Lost Daughter, and its use of ambiguity as a storytelling device. Then, they ramp up the tension by continuing last week's Asghar Farhadi discussion with a chat about his Oscar-winning masterpiece A Separation. Finally, the new segment is christened with a name. Check out the Seeing & Believing Patreon  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're playing catch-up! First, Kevin and Sarah discuss Asghar Farhadi's latest film, A Hero, and where it stands in relation with other 2021 releases. Then, they kick off a new segment with a turn to a villain from the distant past, as they consider the iconic Universal monster movie, Dracula. Check out the Seeing & Believing Patreon Music interlude is "Savior" by Pipe Choir. Used under Creative Commons license 4.0. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Westerns often pit humans against nature. This one features Benedict Cumberbatch as a force of nature himself. Kevin and Sarah discuss Jane Campion's latest, The Power of the Dog. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Matrix has you (again) Neo... Lana Wachowski, Keanu Reeves, and Carrie-Anne Moss return to the Matrix franchise for a remix of a beloved story. But does the remix work? Kevin discusses with Sarah Welch-Larson. Plus, an exciting announcement about the future of the podcast! Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin and critic/author Sarah Welch-Larson reconvene to discuss their favorite movies of 2021. Along the way, they contemplate the state of the movie industry and of criticism at the end of a very strange year. Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seeing & Believing sends 2021 out with a bang by reviewing one of the biggest movie musicals of all time, remade by one of the biggest American directors of all time. Kevin is joined once again by Sarah Welch-Larson to talk about the new version of West Side Story, releasing 50 years after the original film brought the Sondheim/Bernstein/Laurents stage musical to the big screen. Steven Spielberg—at long last getting to fulfill his dream of directing a musical—has some new tricks on this go-round to make the story his own; Kevin and Sarah explore how successful he is. Get ready to rumble! Check out the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin is joined this week by critic/author Sarah Welch-Larson to chat about a film that is on both of their most-anticipated lists for the year: Mike Mills's C'mon C'mon. The film stars Joaquin Phoenix as a radio journalist who finds himself unexpectedly charged with taking care of his precocious nephew (Woody Norman) when the mother has an unexpected emergency. Naturally, life lessons are learned and Phoenix and Norman have the chance to turn in some interesting performances, but how interesting are the results? Kevin and Sarah discuss! Learn more about your ad choices. Visit podcastchoices.com/adchoices

How do you imprint a memory onto celluloid? Kenneth Branagh attempts to answer that question with his latest film, Belfast, based on his own memories of growing up as a young boy during the Troubles in 1960s Northern Ireland. Kevin is joined once again by Chris Williams of We're Watching Here to examine whether Branagh succeeds. Together they discuss the performances from heavyweights like Judy Dench and Ciaran Hinds, the black-and-white cinematography, and the religious undercurrents of the film's conflict. Are the Oscar aspirations for Belfast justified? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Put on your dapper clothes and be seated in the geometrically perfect room of your choice, because we're looking at a Wes Anderson film this week! Delayed due to COVID, Anderson's The French Dispatch is finally enjoying its theatrical release, and Kevin is joined by See/Hear Brother cohost and critic Joshua Wilson to talk about it. Framed as a series of stories in a fictional magazine modeled after The New Yorker, Anderson's latest explores art's place in our lives as it revels in the visually striking compositions that have come to define Anderson's aesthetic. Kevin and Joshua take a look to see how it fits into Anderson's career as a whole. Don't miss it! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Halloween is receding into the mists of the past, but it's never too late to enjoy a spooky movie, and this week's episode offers a doozy: Edgar Wright's Last Night in Soho. Thomasin Mackenzie (Leave No Trace, Jojo Rabbit) stars as a young woman nostalgic for the bygone era of the 1960s, who allows herself to be transported in her dreams back to that time only to find that the past has its share of darkness and horror. Allow yourself to be transported back into spooky season this week, as Kevin is joined by film critic Chris Williams to chat about Wright's foray into straight-faced genre filmmaking and what it has to say about violence, gender, and nostalgia! Learn more about your ad choices. Visit podcastchoices.com/adchoices

After myriad COVID-related delays, it's finally here: the long-awaited adaptation of Frank Herbert's sci-fi opus, Dune. Director Denis Villeneuve (Arrival, Blade Runner 2049) returns once again to the sci-fi genre with this new film starring Timothee Chalamet, Oscar Isaac, and Rebecca Ferguson as the leaders of House Atreides, the noble house that vows to tame the desert planet of Arrakis and control the most valuable natural resource in the galaxy. If that sounds complicated, buckle up, as Villeneuve has his work cut out for him in adapting Herbert's famously dense epic. Is the final product worth the wait, or is it the real mind-killer? Listen to find out! Learn more about your ad choices. Visit podcastchoices.com/adchoices

takes some time out to review another Patron Pick, the newly released indie drama Mass. The Cabin in the Woods star Fran Kranz makes his writing and directing debut with this film, which takes place almost entirely inside a single room in a small community church. As four grieving parents sit down in this room to sift through the wreckage left behind by a tragedy that affected them all, the film explores themes of grief, forgiveness, and the struggle to find meaning in the midst of pain and evil. Kevin is joined by special guest Steve Norton of Screenfish to sort through the questions raised by this modest film and discuss whether it will be counted among this year's best films. Learn more about your ad choices. Visit podcastchoices.com/adchoices

that's the way things have been for twenty-four films and nearly sixty years. The twenty-fifth film in the Bond franchise, No Time to Die, aims to shake up the Bond formula even as it serves as Daniel Craig's swan song portraying the iconic British superspy. Kevin is joined by special guest Don Shanahan to discuss Bond in general, Daniel Craig's Bond specifically, and whether this film is an effective close to the Craig saga that began with 2006's Casino Royale. Does this latest film leave them shaken … or stirred? Learn more about your ad choices. Visit podcastchoices.com/adchoices