Thoroughly Good Classical Music Podcast

Cordelia Williams returns to the Thoroughly Good Classical Music Podcast to talk about her new album on SOMM 'Cascade', and to reflect on her experiences teaching in Kenya.

Lucy Parham introduces selected piano works by Sergei Rachmaninoff ahead of her London Piano Festival appearance with actor Tim McInnery. For more information and tickets visit: https://www.kingsplace.co.uk/whats-on/london-piano-festival/

Composer Joseph Phibbs returns to the podcast to introduce two new pieces premiered at Hatfield Chamber Music Festival and Wigmore Hall on 29th October and 7th October.

Ahead of the world premiere of Matthew Taylor's second horn concerto, Jon Jacob speaks to the composer about his work, his inspiration and the life force of Beethoven.

Nicola Benedetti announces the new Benedetti Baroque Sessions, a competition to participate in her Baroque orchestra, plus she pops up on Radio 4's Today to talk about what music education needs now.

Dr Leah Broad's book Quartet tells the story of four women composers who have received little or no attention by the classical music world. The lives of Ethyl Smyth, Dorothy Howell, Rebecca Clarke and Doreen Carwithen span the 20th century and yet their music was, until a few years ago, relatively unheard of. Quartet - a substantial history of four women's compositional lives - explains why. Following publication, Leah Broad and violinist Fenella Humphreys have joined forces with pianist Nicola Eimer, mounting a series of concerts across the country where curious audience members can hear not only the music but selected stories about the women who wrote it. There were two things apparent from the event I attended - the first in the trio's UK tour in Harrogate earlier in the summer. The carefully selected music works in performance (so much so that the programmed movements played made me want to hear the works in their entirety) AND the briefest of introductions works wonders at focussing the lis

Klieser plays the horn with his feet. This seemingly monumental achievement is of comparatively little consequence to Felix who sees himself not as a differently abled artist but as a musician who wants to make the audience happy.  At a point in time when identity, representation and opportunity are words that rightly weigh heavily in our present-day discourse and thinking, it’s Klieser’s motivation – from the age of 4 – which is counter-intuitively the more powerful message he shares. He is not someone who tells the story of achieving against the odds, but an individual who is content. 

The Endz is a production mounted by school children in South London, supported by the Multi Story Orchestra, a radical performance group well-known in the industry for mounting live performances in a former multi story car park (now known as Bold Tendencies) in Peckham. Since its Proms appearances in 2016 and 2017, the team behind the orchestra led by Kate Whitely has sought out new ways to enhance cultural experiences for the community its made its home in. But Multi Story’s vision and method feel slightly different from convention when you hear from two of their teenage collaborators Flame and Prince talk about The Endz – a musical setting of a play a group of teenagers created themselves in response to violent crime in their neighbourhood. The word is collaboration rather than education and outreach. Co-creation too might be a good word. And the other thing that’s important to stress is how Multi Story are helping young creative talent make the music they want to make rather than what the orchestra thinks

RPS award-winning composer and vocalist Laura Bowler talks about her newest opera 'The Blue Woman', and her climate-change inspired collaboration with Cordelia Lynn, 'Houses Slide'. TICKETS: https://www.roh.org.uk/tickets-and-events/the-blue-woman-by-katie-mitchell-details Laura's new work Distance is premiered by Juliet Fraser and the Talea Ensemble at Cheltenham Festival on 10 July. TICKETS: https://www.cheltenhamfestivals.com/music/whats-on/2022/distance This interview was recorded on Monday 27 June 2022.

This year Aldeburgh Festival celebrates 50 years of the artist development programme - a music-making experience rooted in the Suffolk countryside that has supported many of the world's leading musicians. In this episode, previous participants reflect on their experience attending the Britten-Pears Orchestra and courses at the Britten-Pears School for Advanced Musical Studies now known as the Britten-Pears Young Artist Programme.  Contributors in order of appearance: Nicholas Daniel Jessica Mogridge Kirsty Matheson Caroline Clarke Julia Lawrence Mark Stone Jacqui Shave Jacqueline McCarthy Patrick McCarthy Amy Helen Forsdike Chi-Yu Mo

Josie Dixon the great great great great grandaughter of Polish Lithuanian violinist and composer Felix Yaniewicz explains how a chance discovery unearthed a series of discoveries about the man in her family she knew only from a portrait. https://www.yaniewicz.org/piano.html

Helen Charlston and Toby Carr release 'Battle Cry' in May 2022 - available from 27th on Delphian records featuring songs by Barbara Strozzi, Henry Purcell, John Eccles, Claudio Monteverdi & Owain Park. To coincide with the release, both performers appear at the London Festival of Baroque at St John's Smith Square and the Norfolk and Norwich Festival. TICKETS: https://www.lfbm.org.uk/whats-on/helen-charlston-and-toby-carr

Written in 2019 and originally premiering at the Aldeburgh Festival in 2020, Tom Coult and Alice Birch's 'Violet' tells the 24-day story of a village discovering the gradual loss of time. Recorded at rehearsals in the Jerwood Space in London in May 2022. 'Violet' opens the 2022 Aldeburgh Festival on 3 June.

Released on Friday 6 May, 'Air' features a collection composer Oliver Davis' characteristically uplifting writing performed by the Royal Philharmonic Orchestra, Kerensa Peacock, and Grace Davidson. Jon Jacob speaks to Davis about his dyslexia, his compositional influences, and his commercial writing experience. This podcast was recorded in March 2022 at the Southbank Centre. 

"Beauty and the Seven Beasts is possibly the most incredible but also the most challenging Opera Story project so far." Opera Story Hamish McKay, soprano Katherine Aitken, Dan de Sousa, and conductor Berrek Dyer talk about this new work combining the librettos and music of eight composers in one chamber opera staged at Brixton Jamm, 6-14 April 2022.

On the day James Ehnes was meant to be playing Berg's Violin Concerto with the BBC Symphony Orchestra, we meet on Zoom to discuss intonation, Walton, and being a tourist in London. 

How did Gillian Moore's musical upbringing shape her views about the relevance of music in the lives of everyone today? Ahead of her appearance a the Association of British Orchestras conference in Glasgow in February 2022, she reflects on her own experiences and offers some thoughts on what we need to do next to secure music in the lives of future generations. 

Baritone Benjamin Appl prepared for his first ever performance of Schubert epic song cycle Winterreise by learning the work on a four-hour car journey back in 2010. Twelve years later he's recorded it with pianist James Baillieu both as an album and in a documentary made by John Bridcut. Baillieu and Appl perform live at Wigmore Hall on 18th February 2022. 

Jon Jacob speaks to a selection of Ivors Composer Award Winners from 2021 backstage at the ceremony in the British Museum. 

Clarinettist Barnaby Robson discusses his latest release on Orchid Classics.