Astonishing Legends

The question that every one of us has at least wondered about at some point in our lives, is not if UFOs and aliens exist, or where's Bigfoot, or even if ghosts are real (although that question is connected) but a question about the biggest mystery of all: "What happens to us after we die?" You may not care about the other unknowns, but death comes for us all, and whether or not there's an afterlife, we'll all know in due time. It's the grandest question there is, because it may lead to all other answers. Any evidence of an afterlife may seem beyond our view to most of us; however, there seems to be a great abundance of credible accounts from people who may have seen a glimpse of what awaits us on the Other Side. These people have either been in a state of "Clinical Death" or some unusual physical circumstance and upon recovering, claim to have experienced something known as a Near-Death Experience, or, an "NDE." Tonight, we sit down with our good friend, screenwriter Richard Hatem, who has studied the subjec

The Horror Movie genre, like any other genre of cinema, has its classics and its forgotten, its masterpieces, and its failures. But while the highbrow, serious films enjoy praise or at least critical analysis from the intellectual set, lowbrow horror offerings are often ignored by the academic-minded critics and in many cases even despised. Not so from our guest tonight, pop-culture icon, author, performer, and movie reviewer, Joe Bob Briggs. Joe Bob (John Irving Bloom) has made a name and a storied career for himself, starting first as a newspaper journalist and then finding himself adopting the persona of "Joe Bob Briggs." Joe Bob is a Texas "good ol' boy" who watches B-grade (and much lower) horror movies with you and as your "Horror Host," has a lot of funny and thought-provoking things to say about them, as well as commenting on what they reveal about our culture. What Joe Bob has taught us, is that watching even the most schlocky of shock cinema doesn't have to be a guilty pleasure, because even films b

What we'd heard is that witnessing a single paranormal event can change one's life. What we know now is that this is true and often it happens when you're least expecting it. It also doesn't matter if the experiencer receives validation from others of their encounter because they don't need anyone to tell them what they experienced. On the other hand, we'd all like to share our stories with like-minded individuals, partly to gain some comfort in thinking that we've not gone insane and also to learn more about what happened to us. In that regard, tonight, in the final installment of our series on the Sallie House, we'll hear from our last two interviewees. First, Dr. Sean Daley, a professor of anthropology who has done extensive paranormal investigations at the Sallie House will discuss the overwhelming evidence he and his team have collected there. Next, we'll also hear from Taylor Pickman, whose parents Tony and Debra were on the receiving end of the most intense activity while living there. It appears that

When it comes to the Paranormal and Supernatural, everyone wants proof.  And yet, not everyone can seem to agree on what would constitute this proof.  So what about evidence that might lead to proving the existence of a spirit world?  Well, not everyone can seem to agree on what is considered actual evidence either.  Since the invention of technologies like photography, and audio & video recording, there have been many purported instances of these recording capabilities capturing occurrences of a spectral world interacting with our own.  For many, this is still not enough.  We certainly didn't expect to get any evidence ourselves when we visited the Sallie House on July 20, 2018.  But now that we've captured something that at least could be considered anomalous with our audio recorder, we want to know exactly what it is and how it got there.  While we may never get a definitive answer as to what that sound is we captured, what we know is how hearing it made us feel.  We've also received a wide range of re

Belief is a very personal thing. Challenging beliefs can lead to war amongst nations or a war within one's self. Having to reconsider what we believe about our spirituality or lack thereof, can be a very disquieting exercise but often a fruitful one as it leads to growth. But what obligation does the believer have to convince the non-believer of their story? Does it matter if the believer doesn't care what you think? In a way, our egos and skepticism protect us from feeling the discomfort when considering the impossible, because if the impossible is possible and we're not in control of our world, then who, or what is? If an experience like what you might find at the Sallie House can change your beliefs and thus change who you are as a person, how would you handle it? If one day you're challenged to stand up for your beliefs, what will you do then? For more information on this episode visit our website!

Houses are supposed to be warm and inviting, friendly, a place where we can feel safe in their presence, just like people are supposed to be. But as much as we would like to hope all people are shining examples of those qualities, we know all too well some people are not, and it is the same with houses. Houses can have personalities, just like people, and sometimes those personalities are a spirit of joy and sometimes those personalities house a spirit of darkness and mystery. And then there are unique houses, like the one in Atchison, Kansas which has had so much reported supernatural activity within it, that it has become notorious for being the most haunted house in the most haunted town in Kansas. But is it the house itself or what passes through it and keeps returning that gives it its character? The house in question is known as the Sallie House, getting its name from the spirit of an eponymous little girl that is said to dwell there. Sometimes it is thought that Sallie plays harmless pranks on visitors

Most of the encounters with Bigfoot that you hear about seem benign, frightening to be sure, but more awkward and penumbral than violent. However, as we'll soon learn, that's not always the case. Our guest tonight is UFO and Paranormal Field Investigator Chuck Zukowski. For the past 30 years, Chuck has been researching and investigating a wide range of phenomena within the realm of the paranormal, everything from UFO evidence & abductions, to animal mutilations, ghosts, and of course, Bigfoot. Utilizing his background as a former Reserve Deputy Sheriff with the El Paso County, Colorado Sheriff’s Department, "Chuck approaches every investigation from a skeptical point of view looking for any known possibility before claiming otherwise. He also implements new and innovative field experiments from time to time to enhance his investigations looking for new evidence." Having appeared on numerous radio and television programs to discuss his findings, Chuck has cataloged an astounding variety of experiences. But

The folkloric traditions of Japan are as rich and vibrant as the country itself, and this is especially true with their pantheon of supernatural characters collectively known as Yokai. The word Yokai in Japanese comprises two concepts: "Yo," meaning: bewitching; attractive; calamity; and "kai," meaning "a mystery, wonder or specter; apparitions; something mysterious or suspicious." There are so many types of Yokai, each with their own unique personalities, functions, and behaviors that it's assured both of those concepts are well-represented. Some Yokai are merely mischievous pranksters and can bring good fortune to those that encounter them. Others will surely bring a most gruesome death. Join us tonight as we speak with illustrator and author Matthew Meyer, creator of Yokai.com, as we explore the endlessly fascinating world of some of Japan's most popular and terrifying mythical creatures. But don't let your guard down too much, because as it's often said, there is some truth to the origin of most myths and

When you hear the name, "The Grim Reaper," a very familiar image probably pops into your head. With the black robe and cowl, skeletal face and hands or the visage of a dour corpse, a threatening scythe, and hourglass at its last sands, this is the image the modern, western person thinks of when we personify death. But where did this visual come from? How do we know what death looks like? And since death has always been with us, isn't this image as old as that finality itself? One might think so, but that doesn't seem to be the case. Surely since there have been humans, we have wondered what becomes of us once we die, where do we go when we shuffle off this mortal coil, and how do we get there? What we have found is that yes, we have always created myths and put a face on death in order to help comprehend such an abstract and mysterious concept, but that face has morphed through the ages and varies by culture. In the ancient western world, the concept of a Grim Reaper was more of a psychopomp, a guide that tak

You might not believe in ghosts, but it would be difficult to ignore all the furtive and orchestrated actions that were going on throughout the years at 30 East Drive, which continue to this day. Certainly, in some famous poltergeist cases, incidents could have been manipulated to gain attention for the prankster. However, unless you're contending that pre-teens have somehow gained Hollywood Special Effects level skills in every case, then some of the more bizarre and baffling examples of poltergeist activity would be worthy of investigation. Then what exactly, are the defining factors between a run-of-the-mill poltergeist and other types of spirit activity? Is a poltergeist more paranormal than supernatural? What are the rules? There are theories that poltergeist activity may be a physical manifestation of intensely directed energy emanating from people, mostly youth. As "fringe" as that may seem, then in some cases it might possibly be explained by science one day, that is, if enough scientists would be wil

Poltergeists are all fun & games, that is until they try to strangle you.  The actions of whatever force was interacting with the Pritchard family at 30 East Drive in Pontefract, England had seemed playful in a way, albeit disturbing and churlish at times.  It seemed there was a primary personality that was the source of the mischief they were experiencing and so consistent were its stunts that the family became familiar with this presence they called "Fred."  However, no one really knows what someone or something is capable of until it gets angry.  The family saw another side to Fred, or The Black Monk, when it violently attacked the daughter Diane Pritchard on the stairs, leaving red marks on her throat.  But was this the doings of their ol' gadfly pal Fred, or something much more sinister?  Join us tonight as we examine this escalation of poltergeist activity at the house and try to analyze this darker, malevolent nature of the Black Monk. For more information on this episode visit our website!

The quote, "Guests, like fish, begin to smell after three days" is attributed to Benjamin Franklin. We assume the esteemed Mr. Franklin was speaking only of human guests, but it could also apply to the subject of tonight's show. Because the uninvited guest of 30 East Drive in Pontefract, England would prove to be more than an annoying visitor oblivious to hints or uncaring that they'd overstayed their welcome, it would show itself as a threat to the family's safety and sanity. In the mid-1960s and 70s, the Pritchard family who lived at that address experienced a visitor who was not only unwelcome but unseen, a capricious prankster whose sense of humor was offset by its sometimes vicious and violent power. Human beings have an astounding ability to endure hardships they are powerless against and eventually, this poltergeist presence came to be somewhat accepted, with the mother of the family, Jean, giving it the nickname "Fred." But what was this force in supernatural terms? Was Fred merely poltergeist energy

We met filmmaker Seth Breedlove at the Kent Stage for the 2018 Kent Paranormal Weekend symposium, where our first event was a screening of his film, The Mothman of Point Pleasant.  Needless to say, we were very impressed by his documentary on the subject and then later by Seth himself.  After a very pleasant chat in the lobby, we knew we had met a kindred spirit and had to get him on the show to discuss other works by his film production company, Small Town Monsters.  Tonight we discuss Seth's oeuvre of well-researched, fascinating and enjoyable documentaries, covering such topics as the Minerva Monster, the Beast of Whitehall, the Boggy Creek Monster, Mothman of Point Pleasant, Invasion on Chestnut Ridge, the Flatwoods Monster, and his latest, The Bray Road Beast, as well as several upcoming projects.  We'll find out what captivates him about each incident and the creatures at their centers, what it was like to actually explore these towns, and what he thinks might be happening with all this High Strangeness

Anyone who has experienced what is considered a paranormal event will tell you that it's not easy to tell others about what you had witnessed, especially if that experience was dramatic and significant.  Testimony about such things is often met with ridicule, scorn and sometimes violence by those who feel threatened by such challenges to their reality.  Therefore it takes no small amount of courage and resolution to tell your truth and stick to it.  Such are the qualities that we believe make up the mettle of tonight's guest, David "Dave" Davies.  Davies has had to endure bullying and beatings since he first described what he witnessed for himself and what his classmates had seen landing on the playground of the Broad Haven Primary School in Pembrokeshire, Wales in 1977.  For the 40 years since that close encounter, Davies has stood by his story with conviction and without embellishment or wavering, still ever willing to talk about his experience.  In fact, the sighting had made such an impact on him that he'

So many popular culture misconceptions abound with stories of UFO sightings; that it's always some farmer, alone in his fields when an unidentified flying object appears. The "hayseed farmer" is an easy target to dismiss with ridicule and hubris. Sure, sometimes it is a farm, as it was in 1977 at the Coombs family farm in southern Wales, but it is far from the norm. And it wasn't a singular farmer who witnessed a UFO then, prominent townsfolk and a group of schoolchildren also saw bizarre craft and phenomena during a series of events that would become known as the Broad Haven incident. The Coombs family would also go on to experience High Strangeness that would rival the happenings at Skinwalker Ranch. If you still think that remote farms are still the most likely places for such incredible tales to emerge, you might be surprised that schoolyards also seem to be just as common for alien interactions, with notable cases happening all over the world, in countries like Australia, Zimbabwe, and Russia. Decades la

On January 23, 1974, villagers in the community of Llandrillo in the Edeirnion area of Denbighshire, northern Wales, experienced a tremendous jolt and noise a little after 8:30 p.m., akin to a magnitude 3.5 earthquake.  Highly strange, colored lights were seen over the surrounding hills at the same time.  Another unusual occurrence was that the British Military was immediately on the scene as if they were tracking the "geological event" in real time.  The official Ministry of Defence conclusion was that the event was caused by a simultaneous earthquake and meteor impact, with the meteor being the cause of the freakish light show.  However, a meteor impact that would cause a shock of that magnitude would have left a visible crater, which was not found.  And of course, there were reports by witnesses on the scene of the military carting off bodies and wreckage.  Does this sound familiar to you?  It did enough to some tabloid papers at the time who dubbed it, "The Roswelsh Incident."  What's your conclusion?

Many people enjoy a good mystery.  However, mysteries often leave us slightly disturbed and unsettled, because we're also always searching for answers and when we look for answers, we're sometimes comforted the most by the simplest explanations.  With the case of the Flannan Isle Lighthouse Keepers, most are willing to accept that a massive "Rogue Wave" swept the three men into oblivion.  But what if meteorological science matched against clues left from the scene could show that this theory may not be the most plausible?  What if several simple, yet extreme events combined to plunge this mystery into the depths of the unexplained?  Join us tonight as we interview Keith McCloskey, author of the book, The Lighthouse: The Mystery of the Eilean Mòr Lighthouse Keepers.  We'll discuss his in-depth research into the case and the possibility that the simplest explanations, while the easiest to accept, are often not where the real truth lies submerged. For more information on this episode visit our website!

In 1899, construction on the Flannan Isles lighthouse was completed, perched atop Eilean Mòr, one of the highest points in the Outer Hebrides off the western coast of Scotland. It would soon experience its first tragedy and an enduring mystery. For several days, it's light could not be seen and on December 15, 1900, the ship Archtor documented this concern in its log while heading to port in Leith. However, 11 days would pass before the lighthouse tending ship Hesperus would be able to dock at Eilean Mòr due to foul weather, for which the area is well-known. What they discovered, or rather, didn't discover, would lead to one of the biggest mysteries of this enchanted region. Serious storm damage was evident on the island, but nothing seemed amiss inside the lighthouse itself except for the fact that the three lighthouse keepers had vanished and would never be seen again.   For more information on this episode visit our website!

Something or someone of great importance and influence had convinced and motivated these neolithic hunter-gatherers to put their way of life on hold and come together as a group to undertake such a tremendous project as Göbekli Tepe. This is likely the first time hundreds of prehistoric peoples had formed an organized collective in order to build a religious sanctuary. The work would've taken years to accomplish and the temple would be built upon for many centuries more. The result of this work is believed to have spurred civilization as we know it today. But what beliefs or legends could have generated such a monumental task?  In Part Three of our series, we examine the hypotheses put forth in Andrew Collins' book, Göbekli Tepe, Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden. With his comprehensive and detailed research, Collins goes beyond the boundaries of interpretation where Processual archaeologists would not stray. Could the memory of a global, natural catastrophe which nearl

What we've learned so far about Göbekli Tepe, is what it appears to be, which is that it is possibly the world's oldest sacred temple.  We think we know who built it: a collective of hunter-gatherers, who had not yet learned the skills of farming.  We also think we know approximately when.  But the answers to the questions of how and why and what did it all mean to these Neolithic peoples may not be so easily obtained.  In fact, since the 1960s at least in American archaeology, a debate still rages as to how far and by what methods archaeologists should proceed to interpret what they have dug up.  How closely should archaeology be tied to anthropology, how much informed speculation about their beliefs should be allowed and by whom?  Processual and Post-processual archaeology are two schools of thought within the field that currently define this debate.   Tonight we take a closer look at the art, the architecture, and the symbolism from Göbelki Tepe, and what it's lead archaeologist, Klaus Schmidt, thought abo