We Have A Technical

The thorny issues of social media and general online presentation and how they shape our understanding of artists is the subject of this week's podcasts. From gaining additional context about a record to seeing other sides of artists to the perils of parasocial delusion, we're talking about the ins and outs of what we do and don't see of artists online. All that, plus discussion of the allegations against Arnaud Rebotini and our experience at the HEALTH show.

Some numeric jiggery-pokery? From us? To do with the chronology of We Have A Technical? Never. On this episode we're looking at records from Black Tape For A Blue Girl and Black Strobe, plus running down news related to Nitzer Ebb, and the Cold Waves ans Terminus festivals.

We have a special two-part version of We Have A Commentary for you this week, as we're tackling both discs of the Mick Mercer-curated Gothic Rock compilation, a companion record to Mercer's book of the same name. In the first instalment, we're discussing some absolutely foundational tracks by the likes of Bauhaus, X-Mal Deutschland, Virgin Prunes, and plenty of others, noting both the variety of sounds and the emergence of unifying tropes across the genre's early years. Stay tuned for our discussion of the second disc this weekend! 

We ain’t getting any younger, and neither are the formative records which turned us into the sort of sick bastards who’d end up running a website for a dozen years and a podcast for nearly 500 episodes dealing with industrial music. To wit, on the occasion of Trent Reznor and so many other people’s comments on the thirtieth anniversary of The Downward Spiral, we’re dusting off our scratched CDs, getting our hand-dubbed tapes out of storage, and reconsidering one of the records which shaped our understanding of music in general, let alone industrial, lo those many years ago. Regular listeners will know that we barely ever talk NIN on this podcast simply because it’s well-worn territory by outlets much larger and broader than us, but this felt like the right time to do so. All that, plus some Of The Wand & The Moon and Gridlock talk.

What on earth might records by Hocico and Gloria Mundi have in common with one another? In and of themselves, perhaps not much, but given that Hocico’s debut demonstrates how early the band’s decidedly harsher take on European dark electro was formed, and how a case can be made for Gloria Mundi being the first goth band, both fall well within the boundaries of We Have A Technical. In addition to those two records, Alex offers his thoughts on the Vancouver stop of the ongoing tour featuring Front Line Assemble, Gary Numan, and Ministry. 

It's a Pick Five episode this week, as a slightly irreverent one, as we're talking about stupid songs we actually quite like. From brodustrial to novelty tracks to questionable lyrical choices, this one was a lot of fun to record. We're also talking about the announcement of Front 242's final shows. 

Teased off and on for several years, it's our commentary podcast on a singular record in both of the Senior Staff's understandings of electronics, hip-hop, and industrial: Pop Will Eat Itself's 1989 sophomore LP, This Is the Day...This Is the Hour...This Is This!. Chock a block with samples, yobbish irreverance and pop culture bricolage, it's a riotous trip through a long-gone day-glo era of nuclear paranoia and appreciation for everyone from Public Enemy to Alan Moore.

Hot on the heels of their new album Pendulum and some touring for it, Twin Tribes join us on this week's episode. Luis and Joel offer their thoughts on the band's cross-generational appeal, getting the balance of synths right, and Latino representation.

On this week’s podcast we’re using the occasion of Meat Beat Manifesto and Merzbow’s new collaborative record as an opportunity to talk about each project as well as that new record. Both Jack Dangers and Masami Akita’s respective paths and discographies have brought them into proximity with industrial music, but both have

This week's two albums-formatted episode of the podcast takes up Psyche's 2001 return to dark dancefloors with the futurepop-flavoured The Hiding Place and Skeletal Family's stone classic 1985 statement of how tightly dialed in but also expressive and creative early goth could be, Futile Combat. We're also talking about upcoming shows from Lords Of Acid and Images In Vogue.

Cosmic, stygian, abyssal, impassive, call dark ambient what you will, just don’t call it late for dinner. On this week’s episode we’re discussing how this unique and often deliberately occluded genre emerged out of industrial and has taken on a life of its own. 

Coming hot on the heels of the dissolution of Throbbing Gristle, Chris & Cosey's debut LP Heartbeat doesn't just function as a bridge between their work as experimental enfants terrible and the dreamier, trance-like synthesis their work as a duo would explore, but also between major eras in experimental music. In this month's commentary podcast we're examining how the record links the origins of industrial noise to the emerging eras of synthpop and post-industrial music.

We're looking back at specific live performances which left an impression on us in this episode of the podcast. Whether it's the humanization of icons, extremities of sound or circumstance, or performances which changed the way we think about a particular style or music in general, it's a very rhapsodic (but hopefully not too nostalgic) Pick Five episode this week. We're also talking a bit about the tragic passings which hit Los Angeles and the broader dark music world last week.

One goth rock record and one EBM record: not sure there's a more down the pipe format for an episode of We Have A Technical than that! Sunshine Blind's debut and Spark!'s most recent LP prompt discussion of production, vocal range, and all of the usual hair splitting Bruce and Alex are wont to get into.

An oft-overlooked record by a crucial artist about to make their big move, and a reunion record which is surprisingly of a piece with the artists' earliest work, despite everything they did in the interim. This is a needlessly wordy way of saying that we're talking about Leæther Strip's Science For The Satanic Citizen and Absolute Body Control's Shattered Illusion on this week's podcast, as well as a handful of records on the immediate 2024 docket. 

We're casting an eye not to the year ahead, but to the year that was a full decade ago here at I Die: You Die. We're talking about the records which earned top marks from us in 2014, festivals, larger musical trends, and our approaches to our coverage at that time, and considering what has and hasn't changed in the intervening years. We're also discussing the tragic passing of Jaimz Asmundson of Ghost Twin. 

For the second time, we're using our December We Have A Commentary as the opportunity to talk about a record we love but which has nothing to do with the genres we normally discuss. Our Patreon backers voted to have us discuss a Wu-Tang Clan record, and so we're talking about an unparalleled achievement in lyricism and flow, as well as one of the RZA's most musically evocative productions, the all-time classic that is GZA's Liquid Swords.

Our coverage of the year that was is officially completed (though that doesn't quite mean the end of Year End fun) with a Pick Five episode designed to touch upon individual tracks which caught our fancy this year outside of the specific records we've placed in our Year End coverage. Club bangers, heavy atmospherics, and tracks which offered fresh spins on familiar sounds - here are ten tunes to check out as you're prepping for New Year's.

ith our final five top records of the year coming out yesterday, we've effectively discharged our Year End duties...save for recapping that list, looking back at a few trends in the year that was, and tossing another dozen honorable mentions your way on the podcast edition of our Year End coverage.