The Allan Mckay Podcast

Emily Dean is an Asian-Australian writer, director, and artist living in LA. Emily holds a BA (Honours I), History and English Major, from the University of Sydney. Following her academic studies, Emily pursued a career in animation first at the Australian Film TV Radio School (AFTRS) and earned a Graduate Certificate in Animation Directing, then further at the California Institute of the Arts (CalArts). Following training at Pixar in the Story Department, Emily has worked as a Story Artist and Visual Consultant for Warner Bros and Animal Logic on films such as THE LEGO BATMAN MOVIE (2017), THE LEGO MOVIE 2 (2019); Lionsgate’s sci fi thriller HOTEL ARTEMIS (2019) starring Jodie Foster; and on Sony Picture Animation’s Oscar Award winning HAIRLOVE (2019) from creator/director Matthew A. Cherry. In 2012, Emily’s animated short film FORGET ME NOT was nominated for an Australian Academy Award (AACTA), and in 2018 her first live action sci fi short film ANDROMEDA played and was awarded at numerous genre fests inclu

You need to be ultra specific in how you define yourself when you’re applying for jobs as an artist. It’s the difference between being front-of-mind and standing out -- or blending in with all the other applications. And it’s something that none of us do. By not niching down -- by not being a specific brand -- you’re missing out on an opportunity to make yourself the ideal candidate for the job. So what are you doing to stand out? How do you make sure your reel doesn’t blend in in the hundreds of other reels? You have to be ultra specific on how to categorize yourself. Because you need to set context for the positions for which you’re applying. It also helps to have your name anchored to the solution to their problem.  The more you’re able to clearly define yourself and associate your skills with something -- the easier it is for your name to resonate when that something is needed. That singles you out as a go-to person. In this Podcast, Allan talks about finding your niche, how to have different niches for d

Evan Carmichael #BELIEVES in entrepreneurs.  At 19, he built and then sold a biotech software company.  At 22, he was a venture capitalist raising $500k to $15M. He now runs a YouTube channel for entrepreneurs with over 2 million subscribers, wrote 4 books, and speaks globally.  He wants to solve the world's biggest problem.  He's set 2 world records, uses a trampoline & stand-up desk, owns Canada's largest salsa dance studio and has a giant Doritos bag in front of him all day long to remind him that he's stronger than the Doritos.  Toronto is his home. He's a husband, father, TSM Fan and Teemo main. In this powerful interview with Allan McKay, Speaker, Author, YouTuber and self-proclaimed Introvert Evan Carmichael talks about #BELIEVE as the central message of his content, the problem of low self-esteem, failure, perfectionism; as well as the importance of mentors, consistency – and loving what you do! For more show notes, visit www.allanmckay.com/372.  

The WHAT IF? Scenario: It’s an addictive concept for all of us. What if you give up on a career before you ever got started? Fear is just your mind trying to prevent you from change because change is unknown. It doesn’t want you to risk safety for something new. But the big growths and breakthroughs are on the other side of that fear.  If you aren’t willing to put in the extra work and see what it would lead to next, if you weren’t willing to leverage one experience to the next, none of that would be easy. We always get tested! It’s easier to take the lesser path. But we get to choose that Sliding Doors moment -- or we get to choose to have it all. In this Podcast, Allan reflects on the choices he’s made throughout his career that lead him to face his fears, take huge risks and to have his dream job (which would eventually lead to his night at the Oscars). For more show notes, visit www.allanmckay.com/371.

Scott Rosekrans is a VFX Supervisor and Virtual Production Supervisor for the Real Time Group at Zoic Studios. He's been working to integrate Unreal Engine into every facet of the facilities post production workflow, from previz and on-set virtual production to final renders. He is also Unreal Authorized Instructor Partner for Epic Games. Scott graduated in 2005 from Savannah College of Art and Design, with a degree in Computer Arts. He was trained as a generalist and chose to pursue my focus of rigging. He joined Zoic Studios in 2007 as an intern; and within two years, he was handling all rigging work for the entire studio.   In this interview with Allan McKay, VFX Supervisor and Virtual Production Supervisor for the Real Time Group at Zoic Studios Scott Rosekrans talks about his journey from being an artist, to joining Zoic Studios, to becoming Unreal Authorized Instructor Partner for Epic Games. He also talks about working in Unreal, incorporating realtime into Zoic’s pipeline and the future of virtual pro

DI4D the world’s leading 4D facial performance capture service that specializes in animation for digital doubles. Their proprietary technology is derived from over 30 years of cutting edge research and development dating back to their own PhD research. Since then, the company has consistently innovated at the cutting edge of what is technically possible in the field.  With bases in the UK and US, they work globally with partners across the entertainment and research sectors to develop and deliver high resolution 3D facial image capture, 4D facial performance capture systems, ground-breaking digital double creation software and services. Some of the titles that DI4D has worked on, both in film and games, are: Blade Runner 2049, Morbius, The Matrix: Resurrections, Venom: Let There Be Carnage, Free Guy, Call of Duty, F1 2021, and many more! In this Podcast, Allan McKay speaks to Co-Founders of DI4D Colin Urquhart and Douglas Green about the DI4D technology for facial capture, the innovative thinking behind the p

Eloi Andaluz Fullà is a visual artist with over 18 years of experience in 3D. He’s worked in architecture, motion graphics, advertising, mappings, interactive installations and movies. He is specialized in particles and dynamics simulations. He has worked as a freelancer for different VFX studios, providing tools and workflows for specific shots.  For the last 7+ years, he’s been working for Scanline VFX. As part of the Scanline VFX team, he won an Emmy for Outstanding VFX for their work on the last Episodes of Game of Thrones. Eloi is also a Co-Founder of Effective TD’s, a community of Technical Directors and a specialized store for VFX solutions. On his YouTube Channel – which has over 30K subscribers – you will find tutorials, tips and tricks. In this Podcast, Allan McKay interviews YouTuber and VFX Artist Eloi Andaluz Fullà about transitioning careers from architecture to 3D, working for Scanline VFX; realtime, TyFlow and other upcoming technology; and why simplicity is always key. For more show notes, vi

Oscar-winning Visual Effects Specialist Ben Grossmann has been paving the way for the new immersive web for nearly 20 years. As a Co-Founder of Magnopus, he’s long had a vision of bringing physical and digital worlds together through connected spaces. His passion for immersive technologies has made him a prominent voice on the subject. Over the years, Ben has used his experience in films to lead augmented and virtual reality projects for brands like Sony, Disney, Meta, and NASA. He led the creation of a virtual live-action world for the makers of Disney’s The Lion King. And most recently, directed Expo Dubai Xplorer, bringing the world’s largest social digital twin to life for tens of millions of visitors globally.  Prior to Magnopus, Ben supervised visual effects on more than a dozen feature films including the Oscar-nominated Star Trek Into Darkness, and Martin Scorsese’s Hugo — earning him the Oscar for Outstanding Special Visual Effects in 2012. His work continues to transform the way movies are made toda

Sally Slade worked for eight years in the VFX Industry, supporting visionary creators at Oscar award-winning studios, before pivoting to the XR Industry in 2016.  Sally was nominated as “Reality Mixer of the Year” by Microsoft for her HoloLens product, Muralize, and further decorated by the AWE for her contributions to back-to-back Auggie award-winning XR experiences: Meow Wolf’s The Navigator, and the Virtual Production System used by Disney’s The Lion King.  Most recently, Sally served as a Senior Technical Designer at Magnopus. She is currently the CTO at VOLTAKU.  Her hobbies include illustration and VTubing. She has released a “virtual production for anime” app called Vodcasto. In this Episode, Allan McKay talks to the CTO of VOLTAKU, AR/VR Developer Sally Slade about her work in VR, AR, MR, XR; launching VOLTAKU, developing her own app, upcoming technology and the importance of programming skills for artists. For more show notes, visit www.allanmckay.com/366.

Orion Tait is a Director and Partner at Buck, leading its New York studio in creating commercials and content for major brands from all over the world. With a background in filmmaking, fine arts and graphic design, his varied body of work is rooted in visual storytelling and continues to push the boundaries of innovation and quality in the commercial realm.  A champion and steward of Buck’s well regarded culture of collaboration, Orion has led teams large and small, developing campaigns and directing work for Google, Nike, IBM, Mastercard, Umbro, Oreo, and Sherwin Williams. As a respected leader in his industry, Orion has lectured at numerous schools and festivals across the globe and served or chaired on several awards juries, including YCN, AICP and the Art Directors Club. In this Podcast, Allan McKay interviews Orion Tait, Director and Partner at Buck, about making creative choices as a company, people and relationships as the most important asset, innovation and technological disruption, effects of COVID-

Aaron Sims, the visual creator behind some of this generation’s most unforgettable cinema creatures, began his career over two decades ago as a special effects makeup artist. His pioneering techniques in the world of visual effects influenced the face of character and creature design in Film, Television, Games, Previs, and VFX early on in their application. Aaron Sims Creative [ASC] was formed in order to bring together a wide range of the world’s most talented concept and visual effects artists and create memorable characters, creatures, VFX, costumes, and key scenes. Aaron’s unparalleled skill and dedication to consistently creating stunning content for all platforms of visual entertainment has made ASC a premiere entertainment studio. Since its founding, ASC has worked on feature films like It, Wonder Woman, Logan, Wrath and Clash of the Titans, War for the Planet of the Apes, Dawn of the Planet of the Apes, Rise of the Planet of the Apes, The Amazing Spider-Manand many, many more. In this Podcast, Allan M

Carlos Stevens is an Animation Director, Writer and Executive Producer. He’s a former Student Academy Awards nominee for his animated short film Toumai. This achievement kick-started Carlos's career working on a variety of Cannes Gold Lion award-winning commercial campaigns, notably for Sprint and Sony. Additionally, he has directed and designed campaigns for X-Box, Netflix, Marvel, EA, Lexus, SyFy, UFC, Target and many others. His short film titled The Alchemist's Letter, narrated by John Hurt, received critical acclaim and festival recognition worldwide. Carlos previously held directorships at Laika Animation Studios, design powerhouse Elastic, and animation studios Logan and Superfad. He recently directed an episode for season 3 of the acclaimed series Love Death + Robots on Netflix. He also has films in development at Warner Animation Group and is currently EP / Showrunner on an animated series at Nickelodeon / Paramount +. In this Podcast, Animation Director, Writer and Executive Producer Carlos Stevens

Henrique Reginato is a VFX Supervisor and the Founder of NOX Visual Effects. After working in VFX for over 13 years, Henrique launched NOX Visual Effects during COVID-19 by purchasing the Nuke Indie license and working from home. Born in Brazil, Henrique first studied at Centro Universitario Senac, in Sao Paolo. He then pursued 3D Animation and VFX training from Vancouver Film School. He’s worked at a number of studios, including Pixomondo. His credits include: Star Trek: Discovery, For All Mankind, The Orville, The OA, Gotham and so many more! In this Episode, Henrique shares his journey as an artist, the benefits of working for smaller studios, how to become a VFX Supervisor and gain experience on set, how to start your own studio, the importance of relationships and gaining a business mindset for artists. For more show notes, visit www.allanmckay.com/362.

David Vickery is a VFX Supervisor at ILM, well known for his work on films such as Sherlock Holmes, Harry Potter and the Deathly Hallows: Parts 1 and 2, Fast & Furious 6 and Jupiter Ascending. His work has been recognized with an Academy Award® nomination and the 2012 BAFTA Award for Special Visual Effects for Harry Potter and the Deathly Hallows Part 2 in addition to numerous Visual Effects Society Award nominations and wins. Vickery joined ILM having spent the past 13 years at London effects house Double Negative where he worked his way up from CG Artist to Lead 3D artist then CG Supervisor on such films as Harry Potter and the Order of the Phoenix, The Bourne Ultimatum, Cloverfield and The Dark Knight. Having strong ties to the visual effects community in London, Vickery formerly sat as Co-Chair on the UK board of the Visual Effects Society and is a member of BAFTA. After completing a Degree in Industrial Design at De-Montfort University, Vickery went on to receive an MA in Digital Moving Image from Lo

Fred Ruff is the founder of Refuge FX, a Portland based visual effects studio responsible for projects like For All Mankind, Helstrom, Queen of the South, Runaways, Grimm, Last Knight.  Fred has over two decades of experience in computer graphics, visual effects and software development. He’s worked as a Lead Product Designer at Autodesk. He currently serves on the advisory board for Turbosquid, the world’s leading 3D model marketplace. Fred launched Refuge FX in 2013. In this Episode, Allan McKay interviews Fred Ruff, VFX Supervisor and Owner of Portland-based VFX studio Refuge VFX, about a day in the life of a studio owner, the phases of growing a business, the importance of relationships, the positive impact of COVID-19 on the industry, how to avoid the race to the bottom dollar and get better quality work. For more show notes, visit www.allanmckay.com/360/.

Bilali Mack is a VFX Supervisor Based in NYC. Born in Accra, Ghana and based in Brooklyn, Bilali has spent the better part of the last decade honing his craft at visual effects at studios such as Brickyard VFX, Smoke and Mirrors, MPC and Alkemy X. Bilali has supervised and executed on visual effects for commercials, tv and film for a number of high profile clients such as Adidas, Google, BMW, Starz, HBO, and Focus Features; as well as working with notable directors such as Dave Myers, The Russo Brothers, Lance Acord, and Thomas Bezucha. In his spare time, he produces the Legends of VFX podcast, directs short films and is very passionate about street photography and food. In this Podcast, Allan McKay interviews VFX Supervisor Bilali Mack about his journey from a VFX Artist to a VFX Supervisor, qualities of the most effective leaders, the importance of diverse storytelling, NFT’s and Bilali’s Podcast Legends of VFX. For more show notes, visit www.allanmckay.com/359.

Tim Miller is a Film Director, Animator, Creative Director and VFX Artist. He was nominated for the Academy Award for Best Animated Short Film for the work on his short film Gopher Broke. He made his directing debut with Deadpool. He is also known for creating opening sequences for The Girl with the Dragon Tattoo and Thor: The Dark World. In 1995, Tim co-founded Blur Studio with David Stinnett and Cat Chapman. Blur is where animators and artists can collaborate and be in control of their creative destinities. Since then, the Studio has evolved into an award-winning production company with work spanning the realms of game cinematics, commercials, feature films and more. Committed to their clients, artists and to the telling of great stories, Blur continues to grow not only as a high-end animation studio, but also as original content creators, having recently helmed Netflix’s first animated anthology Love Death + Robots. In this Podcast, Allan McKay interviews Tim Miller, Film Director, Animator, Creative Direc

Janga FX was founded in 2016 by Nick Seavert, an entrepreneur who is well versed in both startups and real-time VFX. Janga FX was initially bootstrapped with credit cards, software sales, and many thousands of man hours instead of outside investments. The company’s core motive is to provide real-time VFX tools to artists and designers who work in video game or film industries.  The first tool by Jang FX called VectorayGen was released in 2017. EmberGen is a standalone real-time volumetric fluid simulation tool built for generating flipbooks, image sequences, and VDB files. In this Part 2 of Allan McKay’s interview with Nick Seavert, the Founder of Janga FX, Nick talks about his first job in the industry, the beginnings of Janga FX, its first software VectorayGen and the launch of Ember Gen. For more show notes, visit www.allanmckay.com/357.

When Nate Black decided to start a YouTube channel, he had a significant advantage: As an actor, he’d been in thousands of live stage performances and knew how to play to an audience. After leaving the stage, he moved through various jobs until he found a passion for teaching.   When he launched Channel Makers, a YouTube Channel that tackles the question “How to succeed on YouTube”, the number of subscribers grew from 0 to 25,000 in its first year. He creates original, data-focused informational videos using real-life tests and case studies. Nate helps a wide range of YouTubers, from beginners to established channels. Currently, the number of his followers is over 120K. In this Podcast, Nate Black, Creator of a highly successful YouTube Channel called Channel Makers, shares his experience and gives advice on how to create and grow your YouTube, discusses YouTube shorts and lives, and the importance of market research. For more show notes, visit www.allanmckay.com/356.

Clinton Jones is a Director, Content Creator, VFX Artist and Photographer. He has worked at Rocket Jump and at Corridor Digital. On his YouTube Channel, where he is known as Pwnisher, he launches challenges for his community, as well as creates tutorials. His YouTube Channel has a massive following of over 557K subscribers, while his Instagram has 110K followers. Currently, Clinton is working on co-writing his first feature film, creating content and making art. In this Podcast, Allan McKay and Clinton discuss the habits of successful people, productivity hacks, the importance of soft skills and how NFT’s are empowering contemporary artists. For more show notes, visit www.allanmckay.com/355.