Gary P Hayes

Informações:

Sinopsis

GaryPHayes's music is a rare hybrid of melodic progressive trance, celtic & world music and cinematic electronica. His versatility lies in his being able to exhibit the sensitivity in combining music of different cultures required for a wide range of film genre and being able to utilise both full orchestral scoring through arrangement and production to cutting edge electronic music realisation and sound design.Gary became interested in music at an early age and was playing guitar and clarinet by the age of 9. He was already composing piano pieces by the age 11 and was playing guitars, keyboards, saxophones, bass, music tech & writing in several signed bands through to early twenties. He gained a BA in music & physics at Manchester University. After University Gary founded Audio Images his own music and multimedia production company as one of the first in the UK to use computers and sample equipment and began creating commercial music for TV, Radio and Advertising. He also co-produced and worked with renowned Manchester bands during this period. He composed many library albums and had works regularly played on BBC TV and National Radio, scores for documentaries and drama, including stage work.Gary also began teaching Music and Multimedia Production at Central Manchester College for two years before moving to the London based Guildhall School and finally lecturing at the famous BRIT School for four years working with artists. At the BRIT school he mentored emerging young artists in the studio such as Imogen Heap & Lynden David Hall and developed new forms of interactive on and offline performance pieces. Gary also organised, performed and composed for contemporary music festivals in London in collaboration with the Royal Academy of Music. He picked up various world instruments (saz, komuz, tar etc) as well as developing an unexpected performance and improvisation passion for celtic and orchestral harps in his mid 20s. He then went to work at the BBC for eight years as a key new media Senior Development Producer but continued scoring and writing music for film, TV and interactive including several at the BBC . He has a continued interest in the participatory potential for music creation in a web 2.0 world.

Episodios

  • Fallen Angeloid

    07/07/2010 Duración: 09min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "and the last angelbot fell" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, RMX, Live, Gladiator, Macs, ProTools, Guitars, Koassilators.

  • Humanity 3.0 Club Mix

    29/06/2010 Duración: 11min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "longevity and self-modification" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, RMX, Live, Record, Macs, ProTools, Guitars, Koassilators.

  • Virtuality

    26/06/2010 Duración: 10min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "the first escape" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, RMX, Live, Record, Macs, ProTools, Guitars, Koassilators.

  • Humanity 3.0

    20/06/2010 Duración: 10min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "longevity and self-modification" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, RMX, Live, Record, Macs, ProTools, Guitars, Koassilators.

  • Replican

    11/06/2010 Duración: 10min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Replicants Can Dance" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, RMX, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Permasense

    01/06/2010 Duración: 11min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Echoes of a Classic Era" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Ascapee

    28/05/2010 Duración: 07min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "The nano's get under your skin" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Trinity 2033

    23/05/2010 Duración: 12min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Worshipping our new visitors from far away" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Phansem

    23/05/2010 Duración: 10min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "The semantics of phantoms" Gary plays: Mostly Reason 4 & Harps, Omnisphere, Logic, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Cascade

    23/05/2010 Duración: 06min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "The falling stars of our horizons" Gary plays: Mostly Logic, Reason 4 & Harps, Omnisphere, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Remini 2094

    23/05/2010 Duración: 09min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "On a train full of female androids looking back to an emotional year 100 years later" Gary plays: Mostly Reason 4 & Harps, Omnisphere, Logic, Live, Record, Macs, ProTools, Guitars, Ensoniq MRRack, Koassilators.

  • Singularity

    23/05/2010 Duración: 07min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Romancing the machine." Gary plays: Mostly Reason 4 & Harps, Omnisphere, Logic, Live, Record, Macs, ProTools, Guitars, Koassilators.

  • Transmodify

    23/05/2010 Duración: 07min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Deconstructed culture, reconstructed mind" Gary plays: Reason 4, Harps, Omnisphere, Logic, Live, Record, Macs, ProTools, Guitars, Koassilators. Beginnings, the start of the 2nd decade of the 2nd millenium.

  • Go There Girl

    23/05/2010 Duración: 07min

    From Gary's progressive trance album Twenty Ten. All music composed and performed © GaryPHayes 2010. "Beginnings, the start of the 2nd decade of the 2nd millenium. Mild homage to a song composed for Gary by an ex student when he taught music technology at the BRIT School 'a long time ago'" Gary plays: Reason 4, Harps, Omnisphere, Logic, Live, Record, Macs, ProTools, Guitars, Koassilators.

  • Arishma

    23/05/2010 Duración: 02min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

  • Reverie 1

    23/05/2010 Duración: 04min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

  • Aranjuez

    23/05/2010 Duración: 02min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

  • Loch Linhe

    23/05/2010 Duración: 02min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

  • Solitaire

    23/05/2010 Duración: 06min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

  • Reverie 2

    23/05/2010 Duración: 03min

    From the 1st harp sketch, improvised album Reveries 1. © GaryPHayes 1994. Recording recovered from a failing magnetic cassette tape. Nearly all pieces are 1st take improvisations performed on a Salvi Julia harp with occasional accompanying Soprano Sax and Electric Guitar. All harp improvised apart from memory arrangements of Aranjuez (Rodrigo) & Schindler (Williams). Gary began small lap harp in Dec 93, bought Salvi Julia Feb 94 - this recording made Apr 94 - had been playing Harp only 4 months. Further albums featured full concert harp.

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