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AUDIO: The audio is a bit quiet at the beginning and elsewhere, but it is audible. This is usually due to the fact that some speakers don't hold their mic close enough to their mouth!SUMMARYThe discussion at TVOT NYC 2024 focused on overcoming fragmentation in TV advertising. Key points included the financial challenges in the TV landscape, the need for advanced technology, and the integration of business practices. Jeff Blaszack from ShowSeeker emphasized aligning technology with business plans, while Rob Jason of USIM highlighted the importance of customer data for targeting. Michelle Stone from Paramount+ noted the competitive advantage of publishers in managing fragmented landscapes. Matt Van Houten of DirecTV Advertising discussed the success of converged solutions at DirecTV. Steve Reynolds of Imagine Communications stressed the need for open data platforms. The panel agreed on the importance of innovative strategies and effective measurement to navigate the complexities of modern TV advertising.SPONSOR

SUMMARYThis discussion at TVOT NYC 2024 focused on practical AI applications in the media and entertainment industry. Key points included using AI to enhance video content creation, such as increasing video production speed by 10 times and automating closed captioning, which boosted efficiency. AI was also leveraged for content discovery, personalizing user experiences, and improving metadata to enhance ad performance and user engagement. The panelists highlighted AI's role in reducing reporting time from 10-20 hours to seconds and in generating real-time audience insights. They emphasized the potential of AI in multimodal experiences and the need for cost-effective solutions like small language models to unlock new use cases. Much more was discussed (see Topics below).DESCRIPTION OF SESSIONThis session will explore advanced AI applications that are making money or saving money in video streaming services right now. Panelists include:Anjali Midha, CEO, Diesel LabsColin Dixon, Principal Analyst, nScreenMedia (

SUMMARYThe panel discussed the evolution of branded entertainment, emphasizing the need for a balance between creative content and brand messaging. Key ingredients for success include a compelling idea, a producer, funding, distribution, marketing, publicity, and a brand partner. Examples highlighted included Expedia's co-produced content with Elite Media Group and Amica Insurance's partnership with the Boston Celtics. The importance of leveraging brand reach, ensuring ROI, and creating content that engages audiences without feeling like traditional ads was stressed. The panelists agreed on the value of collaboration, transparency, and aligning content with consumer interests to drive engagement and brand loyalty.  SPONSORED BY LEAP MEDIA GROUPSPEAKERSBrian Kekich, Director, Content Partnerships, Red BullChris Pizzurro, Chairman, Leap Media GroupMichele Fino, Chief Storyteller, Michele Fino, LLC (Moderator)Paul Furia, Head of Content and Creative Packaging, Media By MotherTOPICSThe key topics discussed in the

TOPICSThe key topics discussed in the conversation include: AI, TV content, interactive content, generative AI, AI-powered filmmaking, democratizing content creation, AI as a tool in the creative process, controlling AI in content creation, and the future of AI in television and media.PANEL DESCRIPTIONIs content crafted all or partly through artificial intelligence the next giant TV programming leap? Will viewers embrace live-action or animated series, specials and made-for-TV movies produced this way? Hear from and interact with executives at new ventures pioneering this AI direction. Panelists include:Alejandro Matamala-Ortiz, Co-Founder and Chief Design Officer, RunwayJohn Attard, Founder, Showdog StudioRob Bralver, Co-Founder and Creative Director, DreamFlareSimon Applebaum, Host, “Tomorrow Will Be Televised” (Moderator)

TOPICSThe key topics discussed in the conversation include: monetizing connected TV, innovations in CTV advertising, challenges and opportunities in CTV, live sports and personal shopping on CTV, and the future of CTV and advertising.SESSION DESCRIPTIONWith Connected TV (CTV) advertising projected to be the fastest-growing segment of the media landscape over the coming year, this session will explore how CTV is giving rise to new monetization opportunities through interactive ad formats, shoppable TV/tcommerce, data generation, granular targeting, and more. Panelists drawn from companies at the forefront of the fast-evolving CTV economy will address such questions as: What innovations in advertising and other forms of CTV monetization are proving effective, and why? What kinds of programming are generating the most viewer engagement with CTV advertising and commerce? And, as CTV and FAST inventory grow, how will CTV advertising and commerce opportunities evolve and mature? Panelists include:Chris Pfaff, CEO,

December 15, 2022Talk Back to Television welcomes our friend Gabriel Berger, Head of Media and Entertainment Industry Solutions for Cognizant. As we all know, Cognizant helps companies modernize technology, reimagine processes and transform experiences so they stay ahead in a fast-changing world. In five minutes, Gabe tells us what’s gone wrong in the media and entertainment industry, and what we need to do to fix it going into 2023.

November 29, 2022ITVT/TVOT is pleased to present a new episode of “Televisionation,” our video/audio podcast exploring the advanced/interactive-TV industry.This episode features writer and director, Sheldon Epps (directing credits include episodes of Netflix’s “The Upshaws,” “Frasier,” “Friends,” “The George Lopez Show,” “Everyone Loves Raymond” and many others), who for two decades was also artistic director of the Pasadena Playhouse. Among other things, he discusses “Christmas Party Crashers,” his new film for BET+, and his new book, “My Own Directions: A Black Man’s Journey in the American Theater.”

December 1, 2022Talk Back To Television welcomes Gerard Kunkel, Founder and Managing Partner of Next Media Partners, LLC. Gerard appears IRL (In Real Life) to continue the conversation we started with Chris Falkner (also of Next Media Partners) to replace the Mystery of the Metaverse with the Reality of the Opportunity.

December 8, 2022Sometimes you just can’t take yourself too seriously. And that’s why we welcome Patrick Donoghue from Next Media Partners to this week’s episode of Talk Back to Television. It’s all about the Reality of the Metaverse (which is an oxymoron if we’ve ever heard one), getting “a Ph.D in **** I don’t understand” to be able to design content for the Metaverse, and of course those *** **** Goggles!

December 9, 2022Televisionation: Friday Fireside, the #1 television industry Webcast, features Rick Howe, The iTV Doctor, in conversation with prominent figures from the advanced-TV/video industry.Like many of you, I have an old WebTV box somewhere in the attic. 25 years ago, it felt like the concept of playing hit games shows like “Jeopardy” and “Wheel of Fortune” on TV would usher in the Era of Interactive Television. And for the most part, we’re all still waiting for the ushers to find our seats. But this week’s Friday Fireside guest Jamie Parker, Chief Product Officer at Gamestar+, might finally have cracked the code. It’s not about the device or the platform: It’s about THE GAME! Watch, and learn.

July 5, 2022ITVT/TVOT is pleased to present a new episode of “Televisionation,” our video/audio podcast exploring the advanced/interactive-TV industry.This episode features Josh Ellingson, a San Francisco-based artist whose work employs and explores television and video in multiple ways. Among other things, he discusses why he is passionate about experimenting with analog television sets and archival video in his art; explains how he creates “floating” video objects using an old technique called “Pepper’s Ghost”; shows us multiple examples of his artwork; outlines some of the projects he’ll be working on in the future; and more.Site: https://ellingson.tvETSY Shop: https://www.etsy.com/shop/ELLINGSON

August 12, 2022The Friday Fireside welcomes Madeleine Noland, President at Advanced Television Systems Committee. In a very personal conversation, Madeleine shares how she first came to the television industry, then to advanced television, to LG Electronics and finally to ATSC. We discuss the creation of the NEXTGEN TV branding, the importance of CONTENT to the successful deployment of NEXTGEN TV and the broad future of ATSC 3.0 and its place in the future of the television industry. A glimpse inside TV from a true TV Insider.

August 26, 2022Today’s guest on The Friday Fireside is Jeff Greenfield, CEO of Provalytics. Provalytics unifies all media, including walled gardens, CTV, TV, OOH, radio, direct mail, and print, providing deduplicated, privacy-compliant reporting which includes synergies, carryover, ad stock and consumer sentiment, and separates incrementality from the baseline. With an extensive advanced advertising background at WideOrbit, C3 Metrics and 1st Approach, Jeff is truly prepared to help his expanding list of customers to fix what’s broken!

August 11, 2022Today’s episode of Talk Back to Television, sponsored by Mediaocean, welcomes Jon Giegengack, Principal at Hub Entertainment Research. Jon addresses a comment from Lisa in Los Angeles: “I have all these channels AND I CAN’T FIND ANYTHING!”

August 18, 2022Today’s guest on Mediaocean’s Talk Back to Television is Matthew Durgin, Senior Director/Smart TV Business Team Leader for LG Electronics North America. Matthew picks up on the conversation started last week with Jon Giegengack, answering the concerns of Lisa in Los Angeles, who has a ton of channels and services AND STILL CAN’T FIND ANYTHING TO WATCH!

November 3, 2022Talk Back to Television welcomes Serena Xu, product designer (and one of the winners of the 2014 TVOT Hackathon). Serena gives us pointed CONSUMER feedback on the state of the streaming business: Who’s doing it wrong, and who’s doing it right—with specific recommendations for how to fix the whole mess! Instructive and fun!

November 18, 2022The Friday Fireside welcomes popular media veteran, Larry Samuels, who after a career in advanced advertising for Kenzan, GroupM, DISH Network and Cablevision, is venturing into the world of podcasting. It’s actually a return to “radio” with a group of friends which whom he had successful sports talk show on Sirius XM. A fun and informative conversation.

Welcome to the August 4th edition of “Talk Back to Television,” sponsored by Mediaocean. Our guest is Scott Ehrlich, Chief Innovation Officer for Sinclair Broadcast Group. The format is simple: One question from a TV viewer. One answer from an industry expert. About 5 minutes in length. Published by Tracy Swedlow and The TV of Tomorrow Show.

LOTS OF VISUALS!This episode features Svana Gisla, Co-Producer, and Baillie Walsh, Director of ABBA Voyage, a hybrid virtual/IRL concert series centered on “ABBAtars,” digital avatars of the Swedish super-group, ABBA, which portray its members as they appeared in 1977, the group’s heyday. The concerts take place in the ABBA Arena, a purpose-built facility at the Queen Elizabeth Olympic Park in London’s East End.Gisla and Walsh provide us with an in-depth overview of the ABBA Voyage project, which employed a range of motion-capture and graphics technologies, was “filmed” with 160 cameras, took five years to realize, involved collaboration with ILM and many other partners, and cost $175 million. They also tell us why they think this shared, immersive experience has proven so popular with audiences; describe how those audiences “fall in love” with the ABBAtars, share their thoughts on the project’s implications for the future of storytelling, and more.

ITVT/TVOT is pleased to present a new episode of “Televisionation,” our video/audio podcast exploring the advanced/interactive-TV industry.This episode features Jason Kyle, co-founder of the Creators Writing Room (the other co-founder is Lee Aronsohn, co-creator of the sitcom, “Two and a Half Men” and Executive Producer of “The Big Bang Theory”) and Head of Development at CWR Productions, discussing the process of pitching content to the networks and other outlets, and explaining how the CWR trains writers to do this.